Side 1 run-outs: XSM47326-1AA (stamped) HIV (etched)
Side 2 run-outs: XSM47327-1BB (stamped) IHH (etched)
Vinyl has numerous light surface sleeve scuffs and several hairline scratches on either side holding grade back. Plays through strong with light background noise and "crackling"; no loud pops or skips. Labels are bright and excellent with a hint of handling wear on side 1. Cover has cornerwear, edgewear, dinged/creased right side corners, a bend/crease bottom right corner, a light bump bottom left corner, a touch of spidering/creasing around the edges (mostly spine edge), heavy ringwear/hazing on the front cover, and faint ringwear/fading on the rear cover slick. Cover has NO SEAM SPLITS.
This genre-bending classic album from 1959 is considered one of the greatest jazz albums of all time, significant not only for the band, but the way this album changed how people looked at jazz in that period. Miles was at the peak of his "cool" period, blazing away with the dual saxes of John Coltrane and Cannonball Adderley in his sextet.
Players: Miles Davis, Trumpet; John Coltrane, Tenor Sax; Julian Cannonball Adderley, Alto Sax; Wynton Kelly, Bill Evans, Piano; Paul Chambers, Bass; James Cobb, Drums.
Songs: So What, Freddie Freeloader, Blue in Green, All Blues, Flamenco Sketches.
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Miles Davis Kind of Blue (Stereo, 6-Eye, Deep Groove, Cover Errors)
RARE original 1959 Columbia DEEP GROOVE 6-eye "Stereo Fidelity" labels. Title in one line on label. Title tracks centered not justified.
This release has the following cover errors (there are no label errors on this release). Julian Adderley's last name is misspelled as "Adderly" on front and back cover ("Julian 'Cannonball' Adderly" on front cover; "Julian Adderly" on back cover). Wynton Kelly appears as "Wyn Kelly" on back cover. The back cover erroneously lists "Flamenco Sketches" as track B1 and "All Blues" as track B2 while the label correctly lists "All Blues" as B1 and "Flamenco Sketches" as track B2. The number 6 is printed on the bottom right corner of the back cover.
Side 1 run-outs: XSM47326-1AA (stamped) HIV (etched)
Side 2 run-outs: XSM47327-1BB (stamped) IHH (etched)
Vinyl has numerous light surface sleeve scuffs and several hairline scratches on either side holding grade back. Plays through strong with light background noise and "crackling"; no loud pops or skips. Labels are bright and excellent with a hint of handling wear on side 1. Cover has cornerwear, edgewear, dinged/creased right side corners, a bend/crease bottom right corner, a light bump bottom left corner, a touch of spidering/creasing around the edges (mostly spine edge), heavy ringwear/hazing on the front cover, and faint ringwear/fading on the rear cover slick. Cover has NO SEAM SPLITS.
This genre-bending classic album from 1959 is considered one of the greatest jazz albums of all time, significant not only for the band, but the way this album changed how people looked at jazz in that period. Miles was at the peak of his "cool" period, blazing away with the dual saxes of John Coltrane and Cannonball Adderley in his sextet.
Players: Miles Davis, Trumpet; John Coltrane, Tenor Sax; Julian Cannonball Adderley, Alto Sax; Wynton Kelly, Bill Evans, Piano; Paul Chambers, Bass; James Cobb, Drums.
Songs: So What, Freddie Freeloader, Blue in Green, All Blues, Flamenco Sketches.
Genre: Jazz
Condition: VG to Strong VG
Cover Condition: VG- to VGLabel: Columbia
Reference Number: CS 8163
Date: 1959
Country: US
SKU: 8021
Music Formats > LP
$250